Why subscribe to Homo Vitruvius?
Why read a writer?
Because you like what he says. You like the way he says it. He makes you think. He makes you feel. Maybe even, when it all goes right, he takes you somewhere: the air is a little thinner, it’s fragrant, there’s a certain kind of — luminous — light . . .
That’s what Homo Vitruvius is about: the rewards of language, the artifice of the written word. It’s the site — the stack — where every week I publish what I create out of words.
I write in all genres, from poetry to fiction to essay to drama, and my concerns, through my life in literature and as a writer, reflect a regular engagement with history, society, and ideas, an engagement that produces, sometimes, political and cultural commentary as well. In all this, Homo Vitruvius serves a passionate dedication to the writing itself. To revise Wallace Stevens (“Not Ideas About the Thing But the Thing Itself”), not just words about the ideas but the words themselves. The writing isn’t just a vehicle to a destination, a means to an end — it’s a destination. I hope you’ll find the travel its own reward.
As a professor of English (but once a professor of English always a professor of English), I’m also a reader. I’m a reader first. I write what I read of the world, the text of the world, which is mine and everyone’s life, to be deciphered and interpreted, understood and mistaken: (“Sing of human unsuccess”). In various ways, then, my writing on Homo Vitruvius is often about reading. Though, perhaps, both inevitably and by propitious chance, my work here grows beyond my original intent, I do have an original purpose.
You can read more about My Substack Project here:
My second Substack: American Samizdat.
“To warn against, prepare for, and persevere until.”
Art, culture, information, and ideas for a free, tolerant, and democratic people.
We cannot be complacent about what is at stake, which is everything. There is no Constitutional, institutional, or traditional bulwark, no compact in the blood of 1776, the Civil War, or World War II that will save American democracy. They all have failed, breached one by one for nine years. None but one: this coming presidential election. And even then, in victory, we will need to protect its outcome. In defeat, it will be a different year zero.
You can read the introductory essay of this Substack, conceived to meet the challenge of Trumpism in the 2024 presidential year, below.
Complacent America
The Publication Schedule (all arriving in your mailbox at 6 a.m. EST)
Mondays: American Samizdat essays, intended to charge your political urgency and commitment through the week.
Thursdays: personal and intellectual flights of imagination: creative nonfiction and memoir; cultural, literary, and political analysis; with some poetry fiction, and hybrid writing, too.
Among my recent non-Substack publications is my 2021 poetry collection Waiting for Word published by Finishing Line Press.
Also in 2021, my writing on Native America, “San Carlos Apache Reservation,” to accompany the documentary photography of Julia Dean, appeared in the “Americans” issue of ProgressivEzine. Since then, in fall 2022, I published my culminating thoughts, after a lifetime of reading and teaching him, on “Hemingway in the Twenty-First Century,” in the Hong Kong review. My poetry appeared in the spring 2023 California Quarterly.
In 2015, I was a featured writer in the inaugural issue of Footnote: a Literary Journal of History.
Currently, I’m at work on a novel of the Sixteenth Century Magellan circumnavigation of the Earth, The Dream of Don Juan de Cartagena. I write about related topics in a regular feature of Homo Vitruvius called The Magellanic Diaries.
Dip your toes in to learn more
A couple of popular essays about myself
A Portrait of the Artist from a Young Sentence
Who
Two other popular essays
A Death in Summer
Two of my favorite essays
Cool, Man
Life in Motion
About the substack letter’s name and logo: Leonardo Da Vinci’s 1487 Renaissance and pre-Enlightenment drawing, known as Vitruvian man, inspired by ideas of the Roman architect Vitruvius Pollio, sought to represent, in a man equally circumscribed by the circle and the square, a “Canon of Proportions”: a “cosmografia del minor mondo (cosmography of the microcosm). [Leonardo] believed the workings of the human body to be an analogy for the workings of the universe." That is, to see the human in the universe and the universe in the human, or, as I add, to think in proportion, even about the disproportionate.
The human and thinker best representatively depicting such an ideal, it is the position of Homo Vitruvius, is of course, Buster Keaton behind bars, forlornly gazing beyond them.
Finally, for now, why not visit my writer website?
Thanks so much for reading. You read; therefore, the writer exists.
Become a Vitruvian by subscribing and you’ll receive one flight of intellectual or creative imagination from Homo Vitruvius per week, on Thursday. Subscribe to American Samizdat, and you’ll receive one flight of intellectual or creative imagination per week opposing the Trumpist authoritarianism and in defense of democracy and the rule of law, on Monday. All essays are offered without a paid subscription.
Become a paid subscriber and get full access to the newsletter and website, including the Monday Recommendations and Reviews and the full archive of essays. You’ll also be supporting writing you value and help sustain Homo Vitruvius, a product of my passions that necessarily also sustain themselves, as for all of us, on food and drink.
If you like writing that dares, howevrer, thinking that delves deep and emotional explorations that range, I hope you’ll consider becoming a paid subscriber. You’ll gain access to the full archive, beyond the 3-month paywall and a free digital download of Waiting for Word on request. You’ll also have the opportunity to purchase signed hard copies of Waiting for Word and Footnote. Most importantly, you’ll be supporting writing you appreciate, writing to which I give my all.
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